Anthem Is a Gas, Gas, Gas!

Long before New Jersey’s the Gaslight Anthem released their new album, American Slang, this week, comparisons to another famous Garden State rocker have followed them every step of the way.

Both Bruce Springsteen and Gaslight Anthem’s Brian Fallon are proud Irish Americans that display an uncanny ability to tell stories, which is an Irish custom.

“We had the greatest expectations/I saw tail lights about my first wife in the dream I had last night/everybody leaves, why wouldn’t you?” sings Fallon on a track from their classic The Old 59, a song from their last album that personifies the stories of love lost on the open road that made The Boss the great American poet he is today.

To ice the cake, Gaslight Anthem is the highlight of a busy summer schedule on the Stone Pony’s summer stage (they play there August 5), which is the house that Bruce built in Asbury Park.

Musically, Fallon and Springsteen couldn’t be more different. Guitars slash through Anthem’s rhythm section like a rusty razor blade as Fallon pleads his case to the American people.

“Look what you started/I seem to be coming out of my skin/look what you have forgotten here/the bandages don’t seem to keep me in,” he pleads on the title track, kicking off a collection of wickedly addictive songs chock full of unvarnished riffs.

The album is released on the punk label SideOneDummy, and the tattoos that paint Fallon’s forearms give off a brawny aggression as his hands move up and down the frets, but the band knows better than to kill a good melody with speed.

“She Loves You” has a closing time vibe of handclaps and lazy guitars that shake off a night’s worth or drinking, like some of the best songs of the Faces. You find yourself joining the band as they huddle around a microphone for the sing-song chorus of “if all was well and your heart could find the words/would we be for better, baby/would we be for worse/if there was a way to navigate your seas/if tonight my true love/they’d belong to me.”

“The Queen of Lower Chelsea” consists of a restless beat married with a spaghetti western melody created by watery guitars. This is a trick most one-dimensional punk rockers could never pull off.

“We wanted to get away from the big open chords of folk strumming chords,” Fallon explains on the promotional interview video. “This music is in parts, they are riffs like Keith Richards.”

Fallon says he took out the first three Clash records as an influence.

“London Calling is slower and more confident than just making noise, like they did on their first two albums,” he says. “That album was my assurance that I am on the right track. I wanted to make a Clash album that was missing in my record collection.”

There are elements of Paul Westerberg and the Replacements amidst the catchy riffs, Motown chorus and bleak stories. “The Spirit of Jazz” sounds like something from the Replacements’ Pleased to Meet Me, which is just about the highest compliment this reviewer can give.

“You’ve gotta give people something worth buying, something that is worth spending time with. I don’t know if this is a great record, and I don’t know if everyone is going to like it or not, but I do know that it is worth a listen,” says Fallon.

I’ll drink to that. Just when you think everyone is GaGa over pop, along comes an album like American Slang to restore your faith in rock and roll.

The Gaslight Anthem is “born to run” for years to come.

More to Jersey Shore Than ‘Jersey Shore’

I AM MAD AS HELL AND I’M NOT GONNA TAKE IT ANYMORE!

New Jersey has always been the butt of jokes, and as a proud resident of the Garden State I get my back up when I hear jokes about the state bird being the mosquito, or how everyone in the state is connected to the waste management business like in The Sopranos.

TV has been particularly rough on New Jerseyans, with shows like Real Housewives of New Jersey, Jerseylicious, and MTV’s abominable Jersey Shore getting huge ratings on cable. One friend remarked that all of this publicity was making New Jersey hip, but I am deathly afraid that people living in Oklahoma watch these shows and think we all have big hair and fake orange spray tans.

This fear was confirmed over the weekend, when I was at my aunt’s house for a barbecue welcoming some Irish relatives on holiday. “You all seem normal,” says one in a British accent. “None of you look anything like ye do on TV.”

Jesus, take the wheel!!! This drivel has even reached Ireland!

Well, I am writing this column to tell you that the Jersey Shore I know is more green and Gaelic than it is gaudy and Guido, and I encourage the Irish music fans that read this column every week to come on down the Garden State Parkway for the sun and great sounds!

“The Irish here at the Jersey Shore are a lot like those in Ireland,” jokes Mary Reilly, owner of the Irish Centre on Third Avenue in Spring Lake.

“You stop and ask them where there’s a good place to eat around here and they answer your question with a question -- what do you feel like? Where are you from? What are you in the mood for?”

If you are in the mood for a buffet of Irish music, there are a number of Irish festivals in June. The New Jersey Irish festival takes place this Saturday, June 12, at the Lakewood Blue Claws First Energy Park (located right of Exit 89 on the Garden State Parkway).

This is a huge show that continues to draw people from three states, and the talent is exceptional. Philadelphia’s Blackthorn, led by blues great Seamus Kelleher, shares the stage with Celtic Cross from New Jersey and New York’s Jameson’s Revenge. Willie Lynch and the Bantry Boys round out the lineup, along with Girsa, a troupe of wildly talented young gals serving up fiery traditional music.

The green of the ballpark is the perfect place to display your Irish pride. Throughout the perimeter of the field are a host of Irish vendors and foods, with bagpipers snaking their way through the onlookers. This week’s back page ad has all the info you’ll need to get you there.

On June 19, the town of Spring Lake will host the first annual Irish festival in the center of town (Third Avenue). “All of the local merchants chipped in and the proceeds are going to repair the clock in the center of town,” reports Reilly.

“There are four sides to the clock and each one of them tells the wrong time, but they all point to a happy hour time – four, five and six o’clock. Now that’s an Irish town!”

The festivities take place from 1-6 p.m. and features local talent like the Snakes, Bantry Boys and Paddy and the Pale Boys.

Reilly has been a cheerleader of Ireland in a corner of New Jersey that has earned the nickname the Irish Riviera.

“We named the store the Irish Centre because we wanted this to be a lot more than a shop,” she explains.

“We started the shop because a lot of people didn’t feel like paying high prices for Belleek at department stores, but now we host book signings with people like Larry Kirwan, artisan shows, opportunities to meet craftsman from Ireland, and of course, Irish crystal and china.” In keeping with the times, you can visit them online at www.theirishcentre.net.

Reilly has seen the rise and fall of Irish festivals in New Jersey over the years. The festival used to take place at the PNC Bank Arts Center but now has splintered into a number of events throughout the summer.

“There used to be two times to be Irish on the Jersey Shore -- at the Arts Center, on St. Patrick’s Day,” says Reilly. “Now, we have events happening all summer, which is great for our culture.”
Irish festivals also take place on September 18 in Sea Girt and September 23-26 in Wildwood.
My father often tells me about the wicked Irish hooleys that took place at Jimmy Byrne’s, a family nightclub in Sea Girt that gave birth to showmen Mike, Jimmy and Bobby Byrne. When that place closed, no one really kept the tradition of regular Irish music shows alive.

Mad props must be given to St. Stephen’s Green, an authentic Irish pub on Route 71 in Spring Lake Heights. It is rare that a pub in Manhattan hosts a midweek Irish seisiun, but you can witness a ramshackle band of musicians gel into something magical and marvelous most Tuesdays.

On the weekends, local Irish rock bands like the Snakes and Turnpike Mike delight the crowd with diverse selections of songs. If you ever wondered how an Allman Brothers tune might sound next to “Dirty Old Town” on a set list, drop by the pub some Saturday night. For a schedule of music, log onto ststephensgreenpub.com.

If you think you’re gonna see tacky characters like Snooki and The Situation in this neck of the woods, fuhgeddaboutit!

Guggenheim Grotto still laughing

The opening line in the song “Trust Me I’m a Thief” from the new Guggenheim Grotto album, The Universe Is Laughing, sums up the band’s life perfectly.

In the three years since their first album hit the top of iTunes folk charts, Mick Lynch and Kevin May have criss-crossed America to cultivate an audience one gig at a time.

Along the way, they have lost a member (Shane Power was in the band when they first came out), had songs used in major network primetime TV shows like One Tree Hill and Brothers and Sisters, and garnished rave reviews from influential outlets such as Paste magazine, the Boston Globe and the Washington Post.

“I’m throwing myself at the world like a lunatic,” and “if we don’t break, we’re not trying hard enough” are lines from the reflective “Wings and Feathers,” words that May says encapsulates the fierce effort on the duo’s part to find their audience.

“Not everything I write is autobiographical, but that song really sums up the road for us,” he says. “It is a strange time to be an independent band at the moment.

“Sometimes you feel when you are traveling this huge country and you’re in the middle of nowhere playing to 15 people and you say, ‘What are you doing?’ You think you’re a madman when you think about what goes into this life we’ve chosen for ourselves.”

Though their pace might be frantic, the music on The Universe Is Laughing is far from it. It is an album of reflective, beautifully constructed ballads laced with highly literate poetry.

For this reviewer, playing this music in the background got the creative juices flowing as I wrote this review and it stayed on the background as words were crafted for my second book.

“That’s one of the best compliments we get,” says May. “I’ve heard people say they put our music on when they are painting or writing, and it is really neat if your music becomes a part of their creative process.”

This disc is great even if you don’t have a creative bone in your body. It is full of sonic delights that lower your blood pressure.

“Wisdom” breaks up the balladry with a strutting beat and an Israeli violin scratch. “You feel scared/Jesus is your bodyguard/you feel alone take a look in your backyard,” May sings before warning that “a wasted life is a life lived unaware.”

“This is the first album that just the two of us recorded,” May says. “Shane Power was in the band for the first album and did a lot with us behind the scenes on our last one. This is the first one where we played the role of engineer.

“We were recording this while we were stationary in Ireland, and some of it was recorded in a mobile studio while we were on the road. We recorded songs in difficult environments, and I think that is what framed the album.”

They will be playing their new music in a set of showcase gigs in June, playing each Wednesday at the Bowery Electric (327 Bowery, New York, 9:30 p.m. show, $10 admission) and each Thursday at Philadelphia’s Tin Angel (20 South Second Street).

In between those events, they will play gigs in Boston, Maine, and Pittsburgh. Check out the gig section of www.guggenheimgrotto.com for a full list of dates.

“I really feel that the states are a bunch of countries,” says May. “The vibe from area to area is huge. You try to build the good markets that you have and do reconnaissance work in places where you are not as well known.

“Our label is here in New York and it helps. We do better on the East Coast because the cities are closer and it is easier to make a gig pay for itself when there is only a short drive between them. On the west, you have to drive great distances to a gig.”

If you live in Manhattan, you won’t have to drive to hear the great music of the Guggenheim Grotto and The Universe Is Laughing (available on UFO Records). Make it a point to catch this Dublin duo sometime in June.

New album Just what the Saw Doctors ordered

I read with great interest the Saw Doctors’ request to their friends on Facebook for a clever title for their new album. I sent the following Facebook message to Leo Moran, lead guitarist and founding member.

“So, what do you think of these album names?

FaceBog: play on Facebook site name
Tuamour: a bit final
Turf Wars
Postcards From the Bog
Knock and Roll

Thoughts?”

His response was polite but non-committal.

Hiya Mike:
Thanks for the suggestions -- I like Tuamour, and, I actually like the others as well but we'd get destroyed by the press in Ireland, and maybe beyond, for a mention of boglife I'd be afraid.
Leo

The album might not have a name, but the new songs do not suffer from an identity crisis. “Last Call” is as rollicking a rocker as the lads have ever written.

“Pour me another one/play another song/never ceases to amaze me you’re the only one/that makes it right/that takes the time/that always smiles/and in another life I’d come here every night,” sang Davy Carlton.

“This is a song about one of the fellas we have at home,” Moran explained from the stage at Monmouth University, a small college on the Jersey Shore that happens to be my alma mater.

“He’s the kind of guy that knows the working schedule of the cute bartender down cold and after a while, he’s not sure if he is more in love with the exotic bartender or the drink.”

That’s classic Saw Doctors for you. They apply a reporter’s eye for detail to brawny power chords to create a view of rock and roll from the craggy shore of Ireland’s West Coast.

With songs like “To Win Just Once,” “Clare Island” and “Green and Red of Mayo,” all of which were played here in Springsteen’s state, one can easily see the storyteller’s connection between the Saw Doctors and the Boss.
“Jersey gets slagged, Tuam gets slagged, too,” reasoned Moran. “I guess that’s why I feel so at home here.”

New songs like “Train” barreled along like they were written on the same day as “I Useta Love Her,” an encouraging sign that this album, whatever it is called, will go by the name “winner” with the fans.

The latest lineup, which includes Carton (vocals, guitar), Moran, Anthony Thistlethwaite (bass, saxophone), Kevin Duffy (keyboards) and Eimhin Cradock (drums) is the finest lineup yet.

Cradock looks young enough to be the son of some of the band members, and he brings a youthful energy to the skins that gives these old warhorses new life!

The Saw Doctors have a busy summer planned, with a new album showcase at Upstairs at Kelly’s in Galway in June and appearance at the Oxegen Festival at Punchestown Racehorse on July 11.

Since the euro is in the tank at the moment, this could be your chance to see the lads on their home turf! If you’re not planning on seeing them in Ireland this summer, you’ll have another chance when the boys return in August with shows in Manhattan, Lancaster, Pennsylvania and the Cape Cod Melody Tent in Massachusetts.

I can report that the lads are in fighting form onstage and playing better than ever, so make sure you log onto sawdoctors.com to track when they are coming your way.

Barleyjuice ready to rock Catskills

Summer will be here before you know it, and there is no better place to start the festival season than the place where it all began -- the Catskills.

The folks up in East Durham have yet another high energy set list of Celtic music planned for the 33rod annual East Durham Irish Festival on Saturday and Sunday, May 29 and 30.

The event will feature the likes of the Elders, Black 47, Shilelagh Law, Barleyjuice and Hair of the Dog. If you like things a little less rocking but no less entertaining, check out the Andy Cooney Band, The New York Showband with Tommy Flynn, Jameson’s Revenge or Canada’s Searson.

There is something weird about our Irish music scene. It is hard for bands to break into New York when you’re from Philly with the dividing line being somewhere around Route 195 in Jersey.

Hopefully, the appearance of Barleyjuice on this stage will change that. Their newest album, Bonny Prince Barley, is a Celtic tour de force that serves up a dizzying array of rock, punk, country and trad.

The band is led by Kyf Brewer, an interesting character if ever there was one. You may have heard his roughed up voice announcing on things like VH1's Before They Were Rock Stars and the Dodge commercials. His acting credits include film work on John Waters’ Serial Mom and Fahrenheit 911 as well as playing a cop in NBC's Homicide and a sleazy photographer in CBS' Hack.

He is joined by Keith Swanson on an array of instruments, Billy Dominick on fiddle, Jim Carbomb on whistles, Eric Worthington on bass, and Greg “The Shredder” Shroeder on drums.

Bonnie Prince Barley opens with “Drunard’s Ambassadors,” a gritty rocker that tips the hat to the many fans that show up at their boozy shows. With songs like “Nancy Whiskey,” “Weekend Irish” and “Bleary-Eyed Beauty,” it doesn’t take a rocket scientist to see that their artistic palette is somewhere between the black and tan of a black and tan!

“I describe it as west meets east,” says Brewer during a weekend interview with the Irish Voice.

“In much the same way as I grew up imitating the Rolling Stones, imitating American R&B singers and Dylan, we imitate what we hear coming across from the Celtic nations and make it our own.”

Barleyjuice adds an interesting spin to the Celtic rock vibe, as evidenced in the 10-gallon hat melodies in “Weekend Irish.”

“American country and bluegrass is what happened as a result of the old trad melodies being brought here and played as mountain music,” reasons Brewer.

“Jam with any fiddle player and sooner than later you'll come across the same melodies from both sides of the pond, only they might have different names or variations.

“Most of the country music lovers here don't realize this, but they're catching on, hopefully thanks in part to us. I grew up with the British invasion of the sixties and seventies, but I had a real penchant for old country music and bluegrass. Sorta like when the Beatles covered Carl Perkins!”

Just when you think you have the band all figured out, they throw you a curve ball with a killer cover of The Clash’s “London Calling,” a version that would make the late and great Joe Strummer swell with Celtic pride.

“Not sure the song fits into the mix, but we are huge Clash fans,” says Brewer.

“If you hear us live, you'll undoubtedly hear some Who, some Doors, maybe some Johnny Cash, etc.

“We never take any of it seriously, until people started coming up and asking to buy the album with ‘London Calling’ on it. It wasn't on one, so we put in on one. As Ray Davies said, give the people what they want!’”

Barleyjuice is a crowd pleaser and their spot on the East Durham Memorial Day festivities guarantees a good time! For more information, log onto www.barleyjuice.com.

For information on the East Durham fest, visit www.irishvillageusa.com/memorial-day-festival

Just what the Saw Doctors ordered!

St. Patrick’s Day didn’t seem to be the same without the Saw Doctors, who bagged their annual March outing to our shores for a detour in Australia, where demand for the band knows no limits.

The “doctor” is in for the summer, however -- the band is here this week for a quick tour of the U.S.

Apart from visiting far-flung outposts around the globe, the lads have been busy writing and recording a new album.

They sent me over a few MP3s of the new recordings as a tease, and they sound as fresh as baked soda bread, with all the Irish flavor to match!

“Train” and “Be Yourself” have everything you’d come to expect from the Saw Doctors -- muck-thick accents from the west of Ireland, catchy hooks, and lyrics that touch on the simple life. The summer is looking sunnier now that we have the promise of new music from these lads!

In typical aw-shucks style, the Saw Doctors solicited fans and friends on Facebook for ideas on a title and artwork for the album cover. You can log onto sawdoctors.com to submit your ideas and keep track of the band’s whereabouts this week.

I caught up with Leo Moran as he was leaving the airport, after getting cleared to fly once the Icelandic volcanic ash dispersed over the Shannon. Here’s how it went:

You just got back from Australia. How was the tour? I hear that is a popular spot for the young Irish. Did you see a lot of Irish there?

We did see a lot of Irish. It was way too short and we had an amazing time. The audiences are mostly in the twenties, and they are just doing some job they’re not fond of.

The Australians don’t seem to have the pressure to work so hard -- 40 hours is enough for them over there. The Irish that we found are very happy to be there and the weather is great and everyone is relaxed, and tanned.

For a lot of Americans, you offer a taste of home when they see you on tour. Do you find that vibe over there?

I’m not sure if we see a ton of people from home anymore on the American tours. We have been over there dozens of times and we have a pretty solid American audience.

I am surprised also at how young they are, particularly in places like Cleveland and New York. We get a lot of first and second generation people, and not as many Irish immigrants.

Do you find yourself playing to a younger audience? Maybe the children of the people who immigrated here in the nineties?

It varies from city to city. Some places in England we do towns where everyone is more mature. When you do the festivals they are much younger audiences. Cleveland and New York are very young audiences.

When the Saw Doctors first came over here in the early nineties, you definitely had a lot of people come to the shows from Ireland after a huge immigration here. Are you seeing that trend again now that the economy in Ireland is tanking?

I don’t see as many people leaving now, and even when they do, Boston, London, and Manhattan aren’t the guaranteed places to go when you are immigrating anymore -- I see that Canada and Australia are the big destinations now. When I immigrate one of these days I will go to New York (laughs).

This is the first time you didn’t come to the U.S. for St. Patrick’s Day. Was it weird to break the routine?

It was weird, but I think it was nice to shake it up a bit.

The new album is getting mixed and mastered right now. How is it sounding?

We are really delighted with it. We hope it goes down well. I can actually listen to an album and enjoy it.

How so?

Sometimes, you work so hard and you know the details and the intricacies of the arrangements, and all you’re hearing are the imperfections. You don’t get the joy of the music. It’s like driving the car when you’re a mechanic -- you know what is going on under the hood, and you’re more fixated on that when you hear a song as a musician.

Was that because you didn’t spend a lot of time fussing with things in the studio?

No. Actually, we worked very hard and drove ourselves very hard and did a lot of polishing. We actually did a lot of magnified detail work that you may not have done on other albums.

I really think this is the best album we’ve made and hopefully, the rest of the world will agree with us.

What do you make of your current resurgence of fame in Ireland? You’re playing to sell-outs all over.

The tide came up for us. People know we’re around and that we’re making a racket, and it is really great the audience is not only coming back, but we have some people so young coming to the gigs.

We have a crest of a wave in front of us, but we’re also old enough to realize that these things come and go. You sometimes slip in and out of the spotlight, and you can’t get too excited about it.

Are you going to drop some new songs into the set list?

Nearly all of the songs have appeared so far. I think they’ll all get a run in the states.

What’s good about it is that they have all slotted in and they stand up against the tried and trusted favorites and that has been happening, which is a really good sign.

How do you decide on the set list?

Davy does it and he does an hour before the show, so we play what we’re told.

Yourself and Davy have been musical and business partners for over 20 years. Some long partnerships, like Mick and Keith of the Stones, have a tension between them that inspires creativity. Is that a dynamic with the two of you?

We enjoy ourselves too much for that. It’s a lot more cooperative and just finding the things we all have in common.

Are you listening to anything in the Irish music scene and if so, what are some of your favorites?

The older I get the less open I am to tune into it. If there’s stuff not turning me on, it’s probably my own fault. There are a lot of great bands playing locally who are pretty interesting.

So, when can we hear the new album? And what is the future of albums with the Saw Doctors? Some bands are opting to just release a tune here and there as opposed to an album.

We hope to get the album out here in Ireland at the end of August. We’ll try to get things out as soon as possible after that.

As far as releasing songs here and there, I think that putting out a song a month is a cool idea but I do think there is an artistic statement, a statement of intent, when you make an album.

The Saw Doctors will play a sold-out show at Irving Plaza in New York on May 14; then they’ll appear at the House of Blues in Boston the following night, and the Music Hall in Portsmouth, New Hampshire on the 16th.

The Dropkick Murphys: Alive and thriving!

The Dropkick Murphys have made their corner of New England a greener place over the last 14 years by delivering a potent mixture of caustic punk rock with sweet Irish soul.

Each year the band breaks house records when their live shows celebrating St. Patrick¹s Day go on sale. Many people, including reviewers like yours truly, have been left out in the cold when the shows fill up immediately.

Knowing this, the band has released Live on Lansdowne, Boston, MA, a scorching live album that gives the listener a hint of what we’ve been missing.

This updated recording is volume two of the series comprising a “best of” or “greatest hits” from the extensive Dropkick Murphys catalogue of albums.

The material on this album focuses on the band’s most recent titles and includes a live rendition of their most popular and instantly recognizable platinum selling single ”I’m Shipping Up to Boston,” as well as popular tracks like “The State of Massachusetts,” the Red Sox anthem “Tessie,” St. Patrick’s Day sing-a-long “Kiss Me, I’m S***faced,” and the tear jerker sing-a-long “Forever.”

The album was recorded over six nights and seven shows in March 2009. This live CD and Hi-Def DVD package puts the band’s hot ticket live show experience in your own home.

Like any good live set, Live on Lansdowne is a perfect sample for the newcomer to feast on. “Don’t predict the future/forget about the past,” howls Alan Barr on “State of Massachusetts,” a slice of high octane diddly-diddly that is quintessential Dropkick Murphys.

Many Celtic punk outfits barnstorm through “Fields of Athenry,” but this band plays just as fast as anyone else without trampling the patriotic emotions in the lyrics.

Though I have been following the band for years, I never paid much attention to the optimistic “Sunshine Highway” from 2005’s The Warrior’s Code. It’s the kind of song that begs an airing with the top down now that the weather is warm!

This working-class, bare-knuckled band struck gold a few years ago, when their “I’m Shipping Up to Boston” was featured in the soundtrack to the Oscar-winning film The Departed.

Since then, the song has been adopted as the official anthem of that city, the sounds of power chords, flutes, and fiddles regularly wafting over the loudspeakers at Fenway.

To chow down on a hot dog as that tune plays (I know this is sacrilege to the Yankees fans out there) never fails to produce goose bumps, even in the cheap seats.

The band not only writes about the hardscrabble characters in the poorer neighborhoods of their hometown, they have recently devoted their efforts and influence to charitable endeavors as they lend a helping hand to those less fortunate.

According to their website, the Claddagh Fund is based on three core values within our community -- friendship, love and loyalty; the three attributes symbolized in the Claddagh ring.

The fund provides assistance to organizations that share in these goals, prioritizing the needs of children and targeting organizations that support a myriad of children’s causes.

The Claddagh Fund also supports veterans’ causes, families of deceased soldiers, and alcohol and drug recovery programs.

A registered 501(c)3 organization, the Claddagh Fund was founded by singer and guitarist Ken Casey. The fund is hosting its next event, Celebrity OysterFest 2010, on May 12 at 88 Wharf Riverfront Grille in Milton, Massachusetts.

Casey and his bandmates, along with family, friends and loads of local celebrities are kicking off the summer patio season at this awesome waterfront restaurant. For more information on the charity and how you can donate, log onto www.claddaghfund.org or become a friend on the charity on Facebook.

If you are not going to be in Boston for that event, fear not! The Dropkick Murphys will be playing a handful of shows on the East Coast in June before jetting to the West Coast for a string of Warped Tour dates.

For more information, check out www.dropkickmurphys.com.