Friday, September 30, 2011

A frank discussion about neighbors

Neighbourly Love - Federico Forcolini

When your cul de sac has this many older folks on it, your mind goes to the worst case scenario each time an ambulance blocks your driveway as it did this morning.

Your heart sinks as you watch the worried and bewildered wife scurry in the direction of the gurney that was raised into the back of the rig.

Your throat congeals into a lump when she returns as a widow a few hours later, eyes red and puffy.

Our block is quiet and feels empty without our good friend and neighbor Frank Veltre.

Frank was the custodian of our local school for decades, and though he may have retired a while back he was the kind of guy with energy to burn and was always working with his hands.

Despite being 76, he was always up on a ladder or tending to the immaculate flower beds on his small patch of greenery. You wouldn’t be long on your lawn putting patio furniture together before he’d shoot over with a tool box to lend a helping hand. That’s just the kind of guy Frank was.

Being retired, he had nothing but time to talk to you when you pulled into the driveway. This leisurely relationship with the clock was often at odds with the hectic schedule of the parent taxi driver/on-the-go writer and businessman.

Truth be told, there were times you either didn’t have time or were not in the mood for conversation. Frank would often approach the driveway when I pulled in and I’d smile gamely, pointing to the wireless headset in the ear when I was on a call.

When time was especially tight, I’d put the thing in my ear when I was rounding the block, just to avoid conversation. Before long he wouldn’t even bother coming over; he’d just wave from a distance and ask for the family.

I’m left with a deep sense of regret and shame about that.

It’s certainly a far cry from how neighbors interact with one another in Athenry, Co. Galway, where my dad grew up. As we left Uncle Mattie’s house and walked down the hill to Granny Farragher’s a few houses away, we’d always meet a few cars ambling up the busy street. Drivers would wave and nod their head, even if they didn’t know you.

The citizens of rural Ballylanders, my mother’s birthplace, were just as welcoming. I remember a postman delivering Granny Cleary’s mail. He’d smile when you told him who you were.

“Yerra, amn’t I the one that delivers those letters to yer granny from the Yanks every month? She always looks forward to those,” he would say before turning to Granny and discussing the gossip from every house along his route.

Imagine a mail carrier doing that over here? He’d be sued for slander!

When my cousin Linda got married in Athenry, I was struck by this custom of bonfire lighting that the whole town seemed to turn out for. Turf and wood fires were lit in driveways as her limousine and motorcade snaked through the narrow boreens, neighbors waving enthusiastically as we waved through the window.

The dark turf smoke would lick the blackberry vines that clung to the stone walls across the street, creating a canopy of well wishes for the newly minted couple.

I also have fond memories of Granny Farragher pouring mugs of tea and high glasses of orange soda without complaint as half the town would parade through her door to see Mick and his family from America.

Michael John Rabbitte, the Costellos, Mary Furey, and a cast of lovely characters would recount stories from their youth while lamenting over those that had passed on. No matter how far away my father lived, he was always part of that neighborly community.

Some folks might say that this is the Ireland of yesteryear, with most younger folks retreating into their iPod earbuds the same way they do over there.

I hope that’s not the case. It’s sad that we only get together in community nowadays when a terrorist attacks or when a flood from a hurricane turns us all out in the street.

We claim to be connected to hundreds of people, yet we know deep down that a Facebook message here and there does not make you related to the people in your community.

I should know better than that because it’s especially inexcusable for a writer to keep the warm conversation of a wise old neighbor at bay. Writers are supposed to be observant and curiously engaged in our fellow man as we scribble our take on life. When did I forget that?

I look over at the mound of flowers covering Frank’s grave as I walk the dog today. I stop and say three prayers -- one for his kind soul, one for answers on how to inject warm Irish hospitality into this neighborhood, and another one to ward off ambulances visiting our cul de sac for the foreseeable future.

(Check out Mike Farragher's book of essays on www.thisisyourbrainonshamrocks.com)

Thursday, September 29, 2011

Nothing diva-ish about Irish American soprano Kiera Duffy - VIDEOS

Kiera Duffy
Irish American soprano Kiera Duffy steps into the role of a lifetime when she’ll walk onto the stage of London’s Royal Albert Hall this weekend for the 25th anniversary celebration of Andrew Lloyd Weber’s Phantom of the Opera.

Duffy will play the role of Carlotta Cuidicelli, the diva that the Phantom bumps off the stage in favor of his beloved Christine, played by Sierra Boggers.

The role of Phantom, made famous by Michael Crawford, will be brought to life by Ramin Karimloo.

Duffy is recognized for both her gleaming high soprano and repertoire that encompasses Handel, Praetorius, Bach, Mozart and Verdi to the modern sounds of Alban Berg, Elliott Carter and John Zorn.

She made her London Symphony Orchestra debut singing the role of Cunegonde in a concert performance of Candide. (Check her out on www.kieraduffy.com)

To me, she will forever be the sweet little kid niece of a dear friend. Legions of proud Duffys will be making the trip to see her this week, their hearts brimming with pride.
It’s almost enough to make a jaded New York Irish music critic tear up with pride himself. I spoke with this un-diva diva as she was boarding her flight. Here’s how it went!
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Music Reviews: The Latest in Irish and Irish-American Music

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How did the audition go for the Phantom role and how did the opportunity come to you?
Cameron Mackintosh's office (producer) contacted my management, who in turn contacted me, in early August asking if I might be interested in the project. As I am not a musical theater performer I was pretty shocked that they even knew who I was, but the project sounded really amazing so I agreed.

There wasn’t time to assemble everyone, including me, in London for a proper live audition. They asked for a video audition so I called my pianist friend, slapped on some diva-like makeup since I was singing for the part of an opera diva, drove to Philly, recorded the excerpts on my iPhone, drove home, somehow figured out how to put them on YouTube with only a private link, and sent them off to my manager.

I received an email from Mackintosh's office saying they were very impressed by my dedication and chutzpah, and I got offered the role. What a whirlwind! I couldn't believe it!

I heard that Andrew Lloyd Webber personally picked you and said something to the effect that your high-D note fried his speaker.

I'm not sure that Andrew personally picked me or not, but they did tell me that my high D in the opening cadenza blew out one of the speakers on his iPad. Whoops!

What can viewers expect from this show that might be different from seeing it in a theater?

Well, I don't dare give too much away, but suffice it to say that this is going to be a spectacle. The Royal Albert Hall is a massive hall, so everything is going to be bigger in order to suit the needs of the space.

The set is astonishing -- I've just seen it. The cast is magnificent -- really creme de la creme. And of course, there are going to be some wonderful surprise appearances!
What advice would you give people aspiring to do what you do?

This is not an easy life. It may seem very glamorous, and there are certainly glamorous elements, but the life of a performer, more often than not, is a tough one.

You have to feel compelled to be a performer, which is to say, you have to believe at the core of your being that this is what you need to do and there is nothing that could possibly fulfill you more.

You cannot go into this life because you want to be famous or you want to make money. You have to love the craft. You have to love hard work. You have to have a support system. You must have fortitude and courage and skin thicker than the thickest of cowhides.

And I think, beyond anything else I've said, you have to know that if it doesn't work out, if you don't "make it," you have not failed. You are by no means less-than.  I think that's maybe the hardest lesson of all to accept.



Thursday, September 22, 2011

Wild ride for Celtic Thunder’s ‘Storm’ and composer Phil Coulter - VIDEO

Phil Coulter
These last few years have been a wild ride upward for legendary composer Phil Coulter. As musical director and co-creator of the wildly popular Celtic Thunder production, Coulter has had to feed the beast of that show with six new albums in the last four years.

His new album, Heartland: The Composer’s Salute to Celtic Thunder, is a retrospective of his best work with the show.

“The Celtic Thunder Storm album is number one on the Amazon charts and my album is number two and neither one of them come out until next week, so that’s a really good feeling,” says the 69-year-old composer.

The orchestral flourishes of Heartland are a study in pristine production and vibe creation. “Remember Me,” a flamenco guitar-based romantic song from the show, is transformed into a triumphant piano melody couched with regal strings and horns.

James McCarthy’s “Ride On,” a song made famous by Christy Moore, is slowed down to allow for the mournful notes of the woodwinds that add a new dimension to the melody.

The chill-out with warm flourishes is what Coulter does best and his imprint on Irish music (howya, Enya?) is still felt today. To listen to Heartland: The Composer’s Salute to Celtic Thunder is to listen to a true master at work.
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Sea change for Celtic Thunder after Damian McGinty’s big ‘Glee’ win
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Based on his recent less-than-friendly split with co-creator Sharon Browne, it’s hard to see from our Skype interview what finger he uses to salute Celtic Thunder now.

“We had what I would say a parting of the ways,” Coulter says tentatively and diplomatically. “I don’t want to wade too far into the bad blood here.  Let’s just say I have a new-found sympathy for the co-producers of Celtic Woman, who forced her out.”

When pressed, he offers this.

“We had an arrangement going into this that she would worry about the business side of things, dealing with PBS and all of that, and I would handle the musical direction, choose the characters, write the arrangements and the artistic elements. It started out that way but soon those lines crossed. And here we are now, parting ways.”

Coulter gives an example of Browne’s decision to film That’s Entertainment and Heritage at the same time on a Canadian soundstage, putting the producer in the unenviable position of stretching things too thin for his performers.

“I was talked into the That’s Entertainment thing, to be honest,” he says. “Some people thought that the Broadway aspect of the show is what middle America wanted, but I thought we went too far from our Irish roots with that show. I was glad to come back to those roots on Heritage.”

Though it might have ended on a sour note, Coulter is intensely proud of Celtic Thunder.
“We created five stars who were nobodies before the show stated,” he boasts. “We introduced great Irish songwriters like Paul Brady to the American audience, and I got to reinvent my own back catalogue, which was fun. And now we even conquered Glee!”

Coulter refers to Celtic Thunder’s youngest member, Damian McGinty, who won the televised audition process of The Glee Project that put him into a starring role on the top rated show.

“It’s brilliant for Damian,” Coulter says proudly. “I just Skyped him last night. He calls me Uncle Phil and he was saying, ‘Uncle Phil! I just did my first day of shooting on Glee and I loved it!’ He told me the rigorous pace of our show helped him get even tougher for Glee, which was great to hear.”

Coulter recalls how an old friend from Derry slipped the audition tape of his young neighbor McGinty under his studio door with a note of apology for imposing.

“I thought it would be s**t,” Coulter recalls with a laugh. “If I was in a grumpy mood, it might have been in a bin. But my friend Jim was organized and I knew he would follow-up.

“Within five minutes of hearing it I was talking to Damian’s dad. I said, ‘I am gonna work with this kid and I don’t know how yet. Keep him on ice, no talent shows for him, and I will be in touch.’

It was six months later that Celtic Thunder came together and I knew I had my first guy.”
Coulter reports that McGinty comes from good stock.

“His da used to call from the road, and I would assure him his son was singing well,” he recalls. The da would say, ‘I know he can sing, how’s he behaving himself? He’s not getting a big head about this, is he?’ So typical Irish.”

With all the drama around Celtic Thunder, I chide Coulter to explain the lyrics to “Life in the Old Dog Yet,” a track from the new Storm release.

In it, he writes, “I’m not ready to roll over/I’m still the daddy of them all/I’m older and wiser and they better not forget/I’m not ready to roll over/‘cos there’s life in the old dog yet.”

“Well, I wrote that before things went south,” he says with a laugh. “But there’s truth to what you say. I am not going to be an observer of my own life.

“When the wheels came off the bus I went straight into another project. I went from the orchestral album to a project I’m working on that will be on PBS next year. It’s a different concept from Celtic Thunder but obviously, fans that liked that concept should love this.

“It will film in Ireland by the end of the year, and there’s a lot of stuff to get together. I can’t tell the readers much about it now but I’ll keep you posted.”

Coulter has worked with everyone from Tom Jones to the Bay City Rollers to Sinead O’Connor, but he is super-thrilled to be working with Mary Byrne, the Dublin unknown who wowed Simon Cowell’s X Factor U.K. program with her read of Tom Jones’ “I Who Have Nothing.”

“She’s from Dublin, a checkout lady at a supermarket who used to sing in the pub on the weekend,” Coulter explains. “We’re talking about some songs and concepts of who her album might go. I just love her story, a real belter. Against all odds, she battled to the end. A really tough life, on the bread line and all of that.”

Like Susan Boyle, Byrne has been an inspiration to working class middle-agers with unfulfilled dreams. Unlike Boyle, Byrne has a tinge of the blues and a steel backbone to match. Rock on, girl!

Coulter knows the reality show competition space all to well. He has had his turn in the chair as judge for Ireland’s program You’re a Star.

“I sat on the panel with Louis Walsh and it was a mixed experience,” he explains. “On the good side, someone like Mary Byrne wouldn’t get a shot.

“On the downside, it gives kids entitlement that they should be famous. They want to be famous, there’s no desire to sing for the art of it all in some of these kids. Celebrity is a new religion and that worries me.”

The Renaissance man and father of nine has managed to write, produce or record chart-topping songs in every decade since the 1960s and, as you can see, he has no intention of stopping now.

“I still LOVE creating music,” he says. “I turn up for work every Monday morning. This is my job. Ten years from now I hope to be talking about my latest project and current hit!"
From your lips to God’s ears, Mr. Coulter!

(Shanachie Entertainment released Heartland, on Tuesday, September 20. For more information, log onto www.philcoulter.com.)

Friday, September 16, 2011

U2, Bono and the boys seem ready for a break - VIDEO

Bad news came to U2 fans this week as Bono let it slip to friends that it would be a long time before we see the lads from Dublin onstage again.

Who could blame them? They must be knackered after the successful U2360 tour and the drama around resuscitating the Spider-Man Broadway musical!

Now comes word from Rolling Stone that Jack White, Depeche Mode, Patti Smith and Damian Rice are among the artists on a forthcoming tribute album honoring the 20th anniversary of U2’s Achtung Baby.

The album was commissioned by the British music magazine Q. "Jack White does ‘Love Is Blindness,' Depeche Mode do ‘So Cruel,' Patti Smith did ‘Until the End of the World,' Damian Rice does ‘One.’ It just goes on,” said Bono at the Toronto International Film Festival last week.

“And it’s strange, because when I hear the album, when U2 do it, all I hear is what’s wrong with it. But when I heard all these artists doing it, I thought, ‘It’s really good.'" In addition, Bono said that artist Damien Hirst recently completed a video for "Even Better Than the Real Thing."

"He made a very special art work, which has only been shown once and probably won’t be shown again, because [it was for the] Glastonbury festival and it’s an extraordinary work of art."

One person asked via Twitter if U2 were to release a single from Achtung Baby today, which would fit best?

Without hesitation, Bono answered, "'Even Better Than The Real Thing.' Now there’s a mix of it, which is stunning, called the ‘Fish Out of Water’ remix, which I would like to release as a single," he said.

"I’m trying to talk some people into it, even today. It has the Damien Hirst thing. Damien did his work to that mix. That’s the one we open with and end the film with."

Bono and the lads opened their Meadowlands gig earlier this summer with four songs from Achtung Baby, proving that the classic album still has great staying power!



Thursday, September 15, 2011

Sunny skies for Celtic Thunder’s storm - VIDEO


I was the first journalist to be let under the tent of the show that Sharon Browne and Phil Coulter created four years ago.  I can still see the years in Phil’s ruggedly handsome and weathered face fall away as he described the concept of the show with boyish enthusiasm.

He wasn’t boasting over pints at the pub that night -- that first Celtic Thunder show delivered an overabundance of theatrical delights from new names and faces.

The second album hummed along as well, and then one got the sense that some of the subsequent albums were milking a concept growing long in the tooth.

That had me complain bitterly in these pages about how one of my favorite shows had jumped the shark, resulting in a dramatic strike of the pen off the creators’ holiday card list.

By the time the unbearable corn syrup-pop of That’s Entertainment came out last year and Coulter peddled schmaltz like Chicago’s “Hard to Say I’m Sorry” and a pitiful “Surfer’s Melody,” I had taken to wearing black as I mourned the death of a nifty entertainment concept. That was that, I thought.

Then along came this year’s Heritage, a rousing return to form.  The collection included trad standbys like the Clancy Brothers’ “The Dutchman” and “Whiskey in the Jar,” and it seemed to drag the franchise out of Sammy Davis Junior lounge-lizard territory and back into the Irish roots of the original.

Don’t get me started on this summer’s brilliant performance of young cast member Damian McGinty on the wildly successful Glee Project. It put me back in the show’s corner once again!

McGinty has reportedly left Celtic Thunder for some Hollywood lightning right as Storm, the second 2011 show and album of Celtic Thunder, is released.

The theme of Storm involves land struggle and cultural differences through the vibrant dynamic of musical theater. The show bursts forth onto a nighttime, flame-lit scene with an energetic, highly primal dance number to an underlying Celtic beat, "Storm Overture."

Storm is a turbulent, raucous stand-off between the darkness of gypsies and the resolution of the settlers both fighting for the same piece of land. The gypsies have inhabited the land for generations and the settlers are looking to put down roots and build their community.

The show hasn’t made its way into the tri-state area yet. That happens at the end of the month with a matinee show at New York’s venerable Beacon Theater on September 24. So, this reviewer doesn’t know how the visual of the show will make “the night explode.”

We’ll just focus on the music crafted and constructed by legendary Coulter for now. He has employed Irish soprano Deirdre Shannon to play a noble woman in Storm that inserts Clannad favorite "Harry's Game" into the repertoire.

Coulter wisely avoids messing with this Picasso of a song, playing it straight to ensure the haunting quality of the original stays intact.

One of the more appealing things about this show concept is the choices Coulter makes as he shines the spotlight. New voices are discovered and a new audience is brought to deserving artists like Paul Brady and Christy Moore.

This kind of big theatrical production may or may not be your cup of tea, but Celtic Thunder as a vehicle to drive demand of Irish songwriters is something we can all agree on!

The King of the Gypsies character, played by the rakish Ryan Kelly, woos away the daughter of a settler in the number "Midnight Well," a dramatic flamenco-infused tango that amplifies the darkness of Kelly’s character.

The Highwayman, played by Keith Harkin, gladly relieves the gentry of their riches in his lively rendition of "Stand and Deliver." It has a galloping horse clapping beat as Harkin sings, “Lookout/there’s a highwayman about/never be in doubt/this night is about to explode.”

One of the more charming numbers is “Look at Me,” a discussion about love between two brothers. McGinty boasts, “Look at me/I’m grown and I’m jammin’/debonair and disarming/that’s me to a ‘t’/I have all of the angles/I ain’t no beginner/a natural winner.”

Older “brother” Harkin tempers these boasts in an attempt to take the kid down a peg.  “You know nothing at all about ladies/let me give you a piece of advice/you think you’re a bit of a killer/that ladies will fall at your feet/Ha!/they can eat you for supper/and spit you right on the street!,” he warns.

It’s a classic Coulter arrangement, a playful march punctuated by sassy Irish melodies from the fiddles and strings.

Revamped arrangements on Celtic classics such as "Lagan Love" and "Mo Ghile Mear" (Hail the Hero), another Coulter signature move, are included in the Storm soundtrack.

The end result is that Sharon Browne and Coulter's new production will no doubt wow PBS audiences with a winning soundtrack.

Coulter is an arranger and producer without peer, and Storm is evidence of that. The Dire Straits classic rock riff and solo on “Midnight Well,” layered atop a tango piano melody, juxtaposes styles to a fiery effect.

The spooky piano tinkling of Coulter’s “Coultergeist” (from his brilliant Highland Cathedral album) is dusted off to add some creepiness to the breathy, ethereal “Shadow’s Dancing.” The chanting chorus and big drums of the trad ditty “Mo Ghile Mear” is a fitting end to a winning collection.

An interview with Coulter and a review of his new orchestral album, Heartland, is coming next week. Keep it tuned here!

To find out where Celtic Thunder will unleash a storm in your neighborhood, log onto www.CelticThunder.ie.

Friday, September 9, 2011

Prodigals’ Gregory Grene Foundation soars in Haiti

Gregory Green in Haiti
We were so focused these last two weeks on the threat of a natural disaster like Hurricane Irene that for most, the memory of last year’s devastating earthquake in Haiti was the last thing on our minds.

That is not the case for the Prodigals’ Gregory Grene. On January 12, 2010 the world changed for Grene. His admired and beloved twin brother, Irish/U.S. citizen Andrew Grene, lost his life in the earthquake in Haiti, where he had been working as a senior political affairs officer with the United Nations.

In the aftermath of the loss, Gregory and Tim Perutz, the twins’ childhood friend, set up the Andrew Grene Foundation with the aim of helping the Haitian people through education and microfinance.

Gregory and Tim returned to Haiti this week, to open the Andrew Grene High School/Collège Andrew Grene in the capital, Port-au-Prince. The opening garnered the front-page headlines in the national newspaper Le Nouvelliste, when Michel Martelly, the president of Haiti, spoke at the opening, and made the Andrew Grene High School the first occasion to put into action his ground-breaking pledge for free education.

Martelly promised to underwrite the tuition of every student in Andrew Grene High School for the first two years of the school’s existence.

The school was built in partnership with the Digicel Foundation, a Haiti-based organization started by Irish cellphone magnate Denis O’Brien and currently headed by Galway-woman Elizabeth Headon.

“The relationship with the Digicel Foundation was literally invaluable. We could not have done what we did without them. They actively supervised the construction; they added on additional partnerships with Microsoft and Inveneo for a donated computer lab; they simply know the terrain in a way that no outsider could. Elizabeth and Denis are heroes,” said Gregory.

During this same week, the foundation also journeyed to Aquin, in the south of the country, to open the Andrew Grene branch of Fonkoze, the national microcredit/microfinance organization.

“There are no real means of coping with a loss like that of my twin brother. The loss is not replaceable, and it’s not something that is measurable or maneuverable in human terms,” says Gregory.

“But what we are trying to do is to create something that can stand in its own place, to grow something beautiful in the honor of the beautiful person we lost. There is nothing that can or should supersede that memory, and that love, but we hope to channel that memory and love into a dream that Andrew would have shared, a dream of assisting the Haitian people to attain the kind of self-sufficiency and hope that they deserve. And the trail of admiration and love he left behind in Haiti enabled us to do what we have.”

If there is a more worthwhile cause than this, I certainly can’t find it. For more information on the Andrew Grene Foundation visit www.andrewgrene.org.

Planet of the Apes - Fight Like Apes ‘Live at Facebook Dublin’ gig - VIDEO

Fight Like Apes have been confirmed for a “Live At Facebook Dublin” gig, which takes place on the aforementioned social networking company’s roof on Tuesday, September 13.  While it’s only Facebook employees and roosting pigeons that’ll be able to attend, all-comers will be able to watch live from 9 p.m. at facebook.com/fightlikeapes.

The band is celebrating the release of their cheekily-titled new album, The Body of Christ and the Legs of Tina Turner, a fizzy joyride of synch-driven pop and punk.
“Come on, let’s talk about our feelings/I don’t care if everything you say is meaningless,” singer Mary Kate “Mayday” Geraghty coos on “Let’s Talk About Our Feelings.”

She sounds flirty, bored, and sarcastic all at the same time, a vibe that calls to mind Debbie Harry’s Blondie or Dale Bozzio’s Missing Persons (other female singers that rode the synthesizer riffs all the way to the bank).

She is joined by Jamie Fox (keyboards) and Tom Ryan (bass). The band has been indie darlings for years, touring with the Prodigy and Kasbian at a number of independent festivals.

In their bio, they claim influences that include B-movies, wrestling and computer games; the music is so quirky that you can actually hear those influences if you listen hard enough!

The guitars get cranky on “Jenny Kelly,” a girl who is “famous for your awkward smile/your purple hair/your wayward style.”

Like most tracks on The Body of Christ, the songs are constructed with jittery beats, razor sharp chords and euphoric synth solos. “Captain A Bomb” has a halting beat that calls to mind ska, and “Indie Monster,” an hilarious track that gives advice like “don’t say f***” on your albums, say truck or duck instead” if you fancy yourself an independent musician.

“Waking Up With Robocop” uses everything including the kitchen sink for percussion -- ringing phones, chains dragging on concrete, while “Hoo Ha Henry” has a striptease beat as the electronic gadgetry pulses in the background. If you gene spliced the digital cool of the Eurythmics with the zany wide-eyed looniness of Katy Perry you’d be able to make music like this!

Fight Like Apes is one of the most innovative bands to come across this reviewer’s desk in many moons. Log onto Facebook on the 13th and see for yourself or check them out on www.fightlikeapesmusic.com

Thursday, September 8, 2011

The snow keeps on coming - Snow Patrol and the Irish independent movie ‘My Brothers’ - VIDEO

Snow Patrol
Snow Patrol is back, and I’m happy to report that they are mixing things up quite a bit. They have contributed to the soundtrack of the Irish independent film My Brothers, directed by award-winning filmmaker Paul Fraser.

The band’s slick electro-fused rock has gotten a bit formulaic over the last few albums, but the songs on the band’s website are sparse acoustic ballads that sound very retro.

Songs like the title track and “I’m Ready” sound like they were recorded on a shoe-string, the expensive production stripped to allow beautiful words and melodies to breathe.

“You might think you’re cursed/but what’s so much worse is the knowledge that you are/when you’re cursed with love buried so deep that you can’t dig it out of you,” Gary Lightbody sings on “My Brothers.”

The band plans a release of an EP this week to include the current single “Called Out in the Dark,” a spare electronic track that sounds a bit like Bell X1’s quirky digital doodles -- and that’s a good thing!

The band’s new album Fallen Empires will undoubtedly extend what seems to be a never ending tour for the band, who plays Brazil and Argentina later this month.

Monday, September 5, 2011

Off Kilter - the strange fashion revival of the AmeriKilt

Mike Farragher

I always turn up my nose at the made-in-China plastic green nonsense that they peddle at an Irish festival in favor rewarding unique Irish craftsmanship with my hard-earned cash. Last weekend was no exception. I was at the Dublin Irish festival and amazed by the number of punk rockers wearing the AmeriKilt.

As the name implies, this Pennsylvania company has modernized the traditional Scottish garment. Gone are the tartan patterns that broaden the size of your ass to the naked eye. In this model; the kilts come in colors you’d find at The Gap and they have a number of pockets to accommodate your gadgetry. Ingenious! The owner couldn’t have been nicer as I shook his hand and arrived at a price.

I ditched my board shorts on the spot and began my strut across the fairgrounds. I had heard that wearing a kilt gave new appreciation to the term “stiff breeze,” but wind was in short supply on this midsummer night. The thick, soupy Ohio air made everything hang a bit lower under the kilt--I mean, as low as an Irishman can go and you don’t have to remind me that this is not very low by some standards.

I made the mistake of drinking beer by the barrel and before long, I found myself at the trough in this wheeled bathroom trailer. I dropped my boxer briefs at the knees, lifted my new kilt, and began to relieve myself when a Scotsman wearing a tartan model came up beside me.

He wasn’t so much of a man as he was a grill of an eighteen wheeler with a watermelon for a head impaled on the hood ornament. His face was tomato red and his shirt was wet against his back after a round of Highland games. He towered over me and looked down as I balanced myself.

“That’s not underwear under that kilt, is it?” he snorted.

“Yeah, it’s my first time wearing one of these things.”

“That’s a nice vagina, luv. I can see it from here,” came the reply.

After a shiver and a shake, he finished up before I did and slapped me on the back as he left the trailer. With that, I made the decision to go commando if I was going to do this at all. I dropped my underwear on the floor and kicked it into a garbage can.

Within minutes, my thighs began to burn as they rubbed against one another (as well as other things not suitable to mention in a family paper). I was in such agony that when I spotted a white bottle of baby powder next to a woman changing her toddler’s diaper on the lawn, I thought I was seeing a mirage!

I crouched, straightened my back, and rocked back and forth with each step I took in a feeble attempt to separate my thighs. It was no use. It felt like I was peeling a layer of skin with each step. I quickly waddled over to her like a emperor penguin and asked---no, scratch that--I pleaded-- for a few handfuls of that powder. I cupped two mounds in my hand and wobbled over to the bathroom and let’s just say the cloud of white smoke you saw coming out of the port-a-john did not indicate the election of a new pope!

This provided huge relief and I regained both my composure and strut once more. Alas, the night became more humid and before long, the baby powder became a thick white paste and it was no match for the relentless friction. By the time I reached the car, the heat underneath had cooked so much of the cornstarched batter lining my legs that I was dropping funnel cake flakes out from under the kilt with each step.

I know the Scots get their knickers in a twist when you refer to a kilt as a skirt, but let’s be real. When you pull into a CVS wearing one and you are standing in the checkout line with a tube of Monistat Soothing Care Chafing Relief Powder-Gel at 2AM, you can’t help but thinking that this is the most emasculating moment of your life.

I tore open the package with my teeth and lay on the hotel bed and applied the cream under the kilt. By now, my lower half is an angry red hue with more bumps than a page of braille.

I was feeling a bit better after applying the Monistat on the second day. Walking was not as painful and the breeze delivered on the kilt’s promise of more chills and thrills, so to speak. I had regained my mojo!

Fortified by this new confidence, I took the risky step of leaving the comfort of the festival grounds, where everyone was wearing a kilt, and running through airport security, where no one else was wearing one.

I was thinking of a quote I recently read from Glenn O’Brien’s brilliant new book, How to Be a Man: a Guide To Style and Behavior for The Modern Gentleman.

“Who looks stupid? The wallflower who just sits there, afraid of action, or the guy who’s good to go, even if sometimes half-cocked? The man of action might make a mistake, but sometimes it’s better to do it wrong than do nothing at all. Even if a man of action screws up, it’s harder to notice because his velocity makes him a little blurry.”

I found that when I was self-conscious about walking around in a kilt, trying to be as blurry as possible while the heat of mocking eyes staring at me proved too much to bear.

In times like this, you have to ask yourself: What would GaGa do? I found that when I stared down a guy with a look on my face that said, “where’s your sense of style, b*tch?” the kilt made sense. It taught me that whatever you wear, confidence is the best accessory! A flirty young cashier who whistled, winked and said, “nice legs, bro..rock that kilt!” didn’t hurt, either! Lady GaGa on her new album sings, “I’m on the right, track baby, I was born this way!” Indeed.

It’s the last gasp of summer and time is running out for you to make a statement. Let more insecure men have their board shorts, which cover everything above the knee. Scoff at the Eurotrash freaks that parade around in their Speedo banana hammocks. If a bully kicks sand in your face, you can moon him right back without having to drop your drawers! Lift up the kilt and tell hem where he and anyone else who thinks you think funny in a kilt can kiss!

If you want to be an Irish man of style, the kilt is the only way to go on the beach!! What they say is true: it takes a tough man to wear a kilt. If you think you have what it takes, log onto AmeriKilt.com.

Friday, September 2, 2011

Ye learned eejit - wonderful Irish parents show pride and humor when it comes to education

“No more pencils/No more books/No more teacher's dirty looks/Out for summer/Out till fall/We might not go back at all” are the lyrics from Alice Cooper’s classic song “School’s Out,” and I’ve been singing them with gusto at the very time my kids are preparing to go back to school.

Yes, at the tender age of 45, I am putting an end to an academic career, and let’s just say Albert Einstein never had to look over his shoulder at any time.

After three long years, I attained my master’s degree in management. While I’m proud to say I graduated summa cum laude, ‘tis a far cry from my “Summa Cum Lucky” nightmare that was my undergraduate study!

After the last week of class, my parents came over for Sunday dinner. We have a tradition in my house of putting great grades on the refrigerator, and my academic achievement was no exception! My dad looked at the grades and nodded approvingly.

“‘Tis a credit to yeh, really,” the Athenry native said over his bifocals. “Really, really nice work.”

He spun on his heel for a moment with a small gift bag. “We got yeh a little something for the occasion,” he said. “Oh, there’s a t-shirt that we got yeh for Father’s Day that we forgot to throw in the bag last time, so that’s in there, too.”

After opening an envelope with a gift card to my favorite boutique, I unfurled a kelly green t-shirt from the bag. On it was one word in big black block letters: EEJIT. Of course, this is the Irish slang for the word “idiot.”

I laughed out loud when I first saw my father wearing it a few weeks ago after he came home from a weekend Irish festival, and I had given him a right tongue-lashing for not thinking to buy one for his son.
Was this his way of making up for his mistake? Perhaps, but I can’t help but think the timing of this gift, at the same time as my graduation with an advanced degree, was a little suspect.

Coincidence? I think not.

If you don’t know what I’m on about by now you probably weren’t raised by real Irish parents the way I was. Giving me a t-shirt that said “eejit” sent a message home -- there’s not much difference between a f***in’ eejit and a learned eejit when you come right down to it. And nothing is worse than an eejit who puts on airs and thinks he’s the cock on the walk with his new degree!

Sure, my parents were intensely proud that their son achieved an education well beyond theirs and most of the family.

Indeed, this was the fulfillment of an immigrant’s dream, wasn’t it? You made sacrifices so that your kids got further up the ladder in the new land than you ever would.

Indeed, it wouldn’t be an exaggeration to think that this accomplishment was just as much theirs as it was mine.

Still, you don’t get carried away with yourself. Gloating and carrying on about how great you are on Facebook is akin to an Amish boy discovered behind the wheel of an 1984 Camaro by his pastor -- you will be shunned if you keep that up.

Even though I have my master’s, I am not through learning from my parents. Saying everything without saying nothing at all is an art form.

Opening a care package from home in my dorm and finding a local Mass bulletin and Confession schedule taped to the baked goods. Placing a girlie magazine on the pillow when the stash was found while flipping the mattress.

These are all examples of the silent guidance that kept me on the straight and narrow during my teenage years, and I reflect on the brilliant, not-so-subtle messaging this week as I sit in a new student orientation at my oldest daughter’s high school.

My mom and dad may not have a master’s degree, but they raised a learned eejit who believes they are well deserving of an honorary Ph.D in parenting with a minor in handling a teenager!

(Mike Farragher has published a book of essays like these. For more information, log onto www.thisisyourbrainonshamrocks.com.)

Dropkick Murphys first annual Shamrock ‘N Roll Festival - VIDEO

Dropkick Murphys
Dropkick Murphys have announced their first annual Shamrock ‘N Roll Festival. The shows will feature Dropkick Murphys, Street Dogs, Chuck Ragan, The Mahones, Parkington Sisters and more.

A boxing demonstration and signing with special guest, renowned boxer “Irish” Micky Ward, will also be featured at these family friendly, all-ages events.

Shamrock ‘N Roll Festival will visit Bangor Maine; Altamont, New York; Pittsburgh, Pennsylvania; Columbus, Ohio; Portsmouth, Virginia, Rochester, New York and Philadelphia.  A dollar from every ticket sold will benefit the band’s charity, the Claddagh Fund, and $1 from every ticket sold for the September 11 show in Altamont will be donated to 9/11 charities. For more information, log onto www.dropkickmurphys.com.
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Irglova Marketa, the better half of Swell Season, to release debut album - VIDEOS

Marketa Irglova, half of the successful folk duo Swell Season, has confirmed the October 7 release of Anar, her debut solo album which is being released here through the Frames’ Plateau Records label.

Two of the tracks, “Fantasy Man” and “I Have Loved You Wrong,” are streaming now on marketairglovamusic.com, according to Hot Press.
Well, that’s an interesting turn of events! The other half of Swell Season, of course is Frames’ leader Glen Hansard. They are no longer a romantic couple, and in fact Czech Republic native Irglova recently married someone else, which makes the choice of record label so interesting.

If you want to know how it all went down between the couple you might want to check out The Swell Season, an eponymous documentary which premiered as part of the Tribeca Film Festival. It garnered impressive reviews.

“In 2008, Glen Hansard and Marketa Irglova captivated audiences and earned two Academy Awards for their musical collaboration in the film Once, which reached $10 million at the box office and grew their popularity and fan base by tens of thousands in North America and throughout the world,” reads the press release.
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“As their fictional romance blurred with reality, they fell in love, recorded an album, and embarked on a world tour. Fueled by two years of exhilaration, performance and psychological turmoil, The Swell Season is much more than a music documentary. It is a volatile and intimate portrait of a romance that fractures in the face of life on the road and personal tragedy. As Glen and Marketa's relationship unhinges, ultimately music prevails as their enduring connection.”

The Swell Season is the work of two NYU Tisch School of the Arts graduates, Nick August-Perna and Chris Dapkins, and Carlo Mirabella-Davis, who previously worked with Martin Scorsese.

As far as the music goes, Irglova has plotted a tour of the U.S. with Iron and Wine, another experimental folk outfit. 

Anyone looking for more clues on how the songstress feels about how things ended will have plenty of material to pore through, if the first few songs are any indication.

“If everything is measured by the hole that’s left behind/then this mountain has been leveled and there’s no more diamonds in the mind/go on and leave it/the timing wasn’t right and the force that swept us away was too much for us to fight,” she sings on “Fantasy Man.”

Both that track and “I Have Loved You Wrong” are stark ballads with gentle acoustic brush strokes of standup basses and strings. The hurting sounds exquisite, which hints at this being a great album to wallow in. And who among us doesn’t need that once in a while?

But don’t feel too sorry for Marketa! They say behind every breakup is a breakthrough, and we would like to congratulate the 23-year-old and her new husband Tim Iseler!

Meanwhile, Hansard has been going solo lately -- at least in the area of music. He has been touring with Pearl Jam, whose lead singer Eddie Vedder recently released a collection of gorgeous original ukulele songs. He continues to tour by himself throughout Europe.

The website continues to spit out new merchandise like t-shirts with the Swell Season logo on them, so who knows? Perhaps the pair will hit the stage again sometime soon!